Showing Records: 1 - 18 of 18
A Fistful of Insight, 2001
Whether it’s Errol Flynn swinging through Sherwood Forest, or Harrison Ford running in jungle ruins, audiences have always enjoyed watching a great adventure story. The creators of some of the most exciting and popular adventure films of all time meet here to explain the finer points of putting your protagonist through hell in the name of entertainment. 1 audiocassette, sides A and B, about 78 minutes
A Fistful of Insight, Audio Part 1
A Fistful of Insight, Audio Part 2
Car Chases, Explosions, and Fist Fights, a.k.a "The Fun Stuff", 2000
Good adventure films never go out of style. Come see writers who are responsible for some of the most action-packed and thrilling films of recent years. Learn how to explore a traditional genre in new ways, and discovermethods of pushing the always expanding envelope creatively. Please check your flame thrower at the door. Two sides of a cassette tape, about 60 minutes total.
Car Chases, Explosions, and Fist Fights, a.k.a "The Fun Stuff", Part 1
Car Chases, Explosions, and Fist Fights, a.k.a "The Fun Stuff", Part 2
Creating Classic Characters, 2006
Let's Blow Something Up, 1999
Sure, we're weeing less of Arnold and Sly, and Bruce is off communing with ghosts and exploring dramedy with Michelle Pfieffer, but Action movies are still "in." How do you keep turning up the volume and coming up with new and bigger ways to threaten the world? Writers of some of the best action flicks ever explore the genre and sift through the wreckage.
1 audiocassette, sides A and B.
Let's Blow Something Up, Audio Part 1
Let's Blow Something Up, Audio Part 2
On Writing: Action/Adventure, 2004
On Writing: Action/Adventure
On Writing: Action/Adventure, Audio
On Writing: Noir Detective and Psychological Thrillers, 2004
Project Mayhem Writing Action That Works, 2002
The Prod Squad: Producers and What Gets One Excited, 2003
Creativity and commerce meet when visiting producers talk casually about the projects that interest them most, and what they're looking for when reading a new script or meeting an up-andcoming writer. If you want the rest of the world to see your script on the big screen, you'll listen carefully and absorb the invaluable advice these guys are offering.
Writing Action/Suspense, 2005
Writing Action/Suspense, Video
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